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Nam June Paik
Nam June Paik (July 20, 1932 – January 29, 2006) was a Korean American artist. He worked with a variety of media and is considered to be the founder of video art.〔Noah Wardrip-Fruin and Nick Montfort, ''The New Media Reader'', MIT Press, 2003, p227. ISBN 0-262-23227-8〕 He is credited with an early usage (1974) of the term "electronic super highway" in application to telecommunications.
==Early life==
Born in Seoul in 1932, the youngest of five siblings, Paik had two older brothers and two older sisters. His father owned a major textile manufacturing firm. As he was growing up, he was trained as a classical pianist. In 1950, Paik and his family had to flee from their home in Korea, during the Korean War. His family first fled to Hong Kong, but later moved to Japan. Six years later he graduated from the University of Tokyo where he wrote a thesis on the composer Arnold Schoenberg.
Paik then moved to West Germany to study music history with composer Thrasybulos Georgiades at Munich University.〔(Nam June Paik ) Solomon R. Guggenheim Museum, New York.〕 While studying in Germany, Paik met the composers Karlheinz Stockhausen and John Cage and the conceptual artists George Maciunas, Joseph Beuys and Wolf Vostell and was from 1962 on, a member of Fluxus.〔Christiane Paul, Digital Art, Thames & Hudson, London, pp. 14–15〕〔Petra Stegmann. ''The lunatics are on the loose - EUROPEAN FLUXUS FESTIVALS 1962-1977'', DOWN WITH ART!, Potsdam, 2012, ISBN 978-3-9815579-0-9.〕
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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